David Cottier-Angeli works with archaeological materials.
Here is one individual and his art is very unique in promoting materials of not reproducible expression. These sculptures exist in one form, and in one form only.
These sculptures emerge out of a distinct romantic rift between materials and ancient mastering processes.
The observer experiences something unique that implies to be out of usual codes. These experiences have no equals and with its uniqueness and material appeal it sets the conditions for body vibrations. Sculptures will soon catch local dust adding to the dramatic sense of romanticism propensity to demonstrate incongruities.